Completing the 2020 Bingo Challenge: Short Story Edition
One of the rules of the Fantasy Bingo Reading Challenge is that you can read an anthology or collection for any of the squares. I’ve always been a fan of short fiction, so I’ve occasionally used this rule to complete my Bingo Card (I used three collections outside of the Five Short Stories square last year, for example). When planning my card for the 2020 Bingo, I noticed that several of the squares fit quite well for some of the collections and anthologies I had (a Star Trek anthology for Exploration, books with colors or numbers in their names, etc.). “What if…” I wondered, “…I can do it for every square?”
Thus, my project is born: Complete my Bingo card using only books of short stories, following all the other rules of Bingo. I did not repeat a single author from one square to another, and I even made sure not to repeat editors, either.
Look on my Works, ye Mighty, and despair!
A brief aside before we start, some terms I use that some may not be familiar to some:

• Anthology: A book of short stories by multiple authors, usually assembled by an editor whose name is attached to the book (i.e. The Book of Dragons edited by Jonathan Strahan)
• Collection: A book of short stories by a single author (i.e. Kabu Kabu by Nnedi Okorafor)
• Short Story Cycle: A book of short stories that has its own narrative (i.e. Moral Disorder by Margaret Atwood). Some similarities with “interlinked collection,” “mosaic novel,” and “fix-up novel” (The Martian Chronicles by Ray Bradbury being a famous example of the latter).
• Reprint and Original: Many anthologies/collections reprint stories published previously (reprint) vs. originally written for the book in question (original). Some collections will mix it up (such as a reprint collection with one original story to encourage readers who have read the others to pick up the new book).

Why? What did I hope to accomplish by doing this particular short fiction challenge? Some of my friends will complain about the Five Short Stories square (especially the hard mode requirement to read a book), and I wanted to spite them a little bit and also demonstrate that there’s a lot of different and interesting books out there to read in that format!
Planning: The hardest thing about this was the original planning, as several books I thought would be an easy match for the square didn’t work because another anthology I planned to use already included that author, so I had to dig a bit deeper to find something that didn’t repeat any authors. Also, in past Bingo Challenges, my cards are usually quite fluid as I shift books around throughout the year. Because of all the authors I was juggling, I couldn’t easily do that (though it was vastly easier to do with collections instead of anthologies, for obvious reasons).
Numbers: For this card, I officially read 32 books for the 25 squares: One of those books was quite short, so I read an additional three to meet the length requirement. For the original Five Short Stories square, I decided to be obnoxious and read five collections. These 32 books included 1 short novel (included in one of the collections), 8 novellas, 106 novelettes, 498 short stories, and 3 poems for a total of at least 2,739,975 words (the rough equivalent of reading the first nine novels of The Wheel of Time). I read 189 different authors. In addition to the 32 books above, I read 15 “pre-Bingo” books—books I felt I needed to read to be able to read the anthology or collection I actually used for my Bingo Card. Fifteen of the 32 books were ones I already owned. Nine books I checked out from the library. Five books I bought specific for Bingo, and three books were free (gifts or free online).
1. Novel Translated from Its Original Language:
There Once Lived a Woman Who Tried to Kill Her Neighbor's Baby: Scary Fairy Tales by Ludmilla Petrushevskaya (reprint collection)

• Reason: I couldn’t read my first choice so I looked through my TBR list to find another SF/F collection I thought would be a translation. It also won the 2010 World Fantasy Award for Best Collection.
• Favorite Story: “My Love” as I really liked how the characters grew apart and then back together again.
• Recommended: Only if you like short depressing literary fiction that mostly hinge on dreams and ghosts.
• Hard Mode: Yes, Pretrushevskaya is a woman.
• Other Options: I really wanted to read Xia Jia’s A Summer Beyond Your Reach, but she had a story in another anthology I read. I also considered one of Ken Liu’s Chinese SF/F anthologies (Invisible Planets or Broken Stars). I read Jurado & Lara’s Spanish Women of Wonder last year. Etgar Keret’s Fly Already, Kenji Miyazawa’s Once and Forever, or Yoko Ogawa’s Revenge also looked promising.

2. Setting Featuring Snow, Ice, or Cold:
Frozen Fairy Tales edited by Kate Wolford (original anthology)

• Reason: I literally searched snow and anthology and this was one of the early options.
• Favorite Story: tie between “The Stolen Heart” by Christina Ruth Johnson and “Death in Winter” by Lissa Sloan; the first just felt great, and the second has this haunting feel I loved.
• Recommended: Yes; a good selection of fairy tale-inspired stories. Read during the summer, though, it felt really cold.
• Hard Mode: Yes, every story is in a snowy or cold setting.
• Other Options: I’m kind of mad that I didn’t come across Snowpocalypse: Tales of the End of the World (edited by Clint Collins and Scott Woodward) until after I read my original choice. I like silly titles.

3. Optimistic Spec Fic:
Ingathering: The Complete People Stories by Zenna Henderson (short story cycle, 1 original to this book)

• Reason: I’ve had a copy of this book for a couple years, and I needed an excuse to read it. It’s actually an omnibus of Henderson’s two People collections plus some previously uncollected stories. I’ve read the first People collection (Pilgrimage) several times people).
• Favorite Story: I’ll say “Ararat” here, but the first six stories (the original Pilgrimage collection) are amazingly wonderful and heartwarming.
• Recommended: Yes, absolutely. Zenna Henderson deserves more attention.
• Hard Mode: Yes. <3
• Other Options: If Henderson’s book hadn’t worked out, I considered Heiroglyph (edited by Ed Finn & Kathryn Cramer) and Salena Ulibarri’s two Glass and Gardens anthologies (Solarpunk Summers and Solarpunk Winters), but that would’ve required juggling my card.

4. Novel Featuring Necromancy:
The Book of the Dead edited by Jared Shurin (original anthology)

• Reason: I asked Jared Shurin (pornokitsch) if he knew of any anthologies with a necromantic theme, and he rattled off five or six options before remembering that he himself had edited an anthology about mummies. I don’t know how you forget something like that.
• Favorite Story: tie between “Old Souls” by David Thomas Moore and “Three Memories of Death” by Will Hill (non-SF/F)
• Recommended: Yes, but it’s out of print! Several of the stories were reprinted in Paula Guran’s The Mammoth Book of the Mummy, including “Three Memories of Death.”
• Hard Mode: No, through several do have mummies as protagonists.
• Other Options: I was considering Brian McNaughton’s The Throne of Bones since the description seemed rather death-magicky. At this point, the Paula Guran anthology above would probably be a good choice.

5. Ace/Aro Spec Fic:
Life Within Parole, Volume 1 by RoAnna Sylver (collection, mix of reprint and original)

• Reason: A friend found this on Claudie Arseneault’s asexual recommendations website, which was good, but I felt I needed to read her novel Chameleon Moon first to understand the collection. I’m glad I did.
• Favorite Story: Reluctantly “Phoenix Down” as it felt the most self-contained.
• Recommended: Only if you loved Chameleon Moon, which I only recommend if you like a sample of the writing. It’s amazingly diverse in representation, but my frustrations with the novel related more towards its pacing and worldbuilding. Plus I don’t like superheroes.
• Hard Mode: Yes, half the stories have an asexual or aromantic protagaonist.
• Other Options: My original choice was Common Bonds: An Aromantic Speculative Anthology edited by Claudie Arseneault, C.T. Callahan, B.R. Sanders, and RoAnna Sylver, a Kickstarter-funded book. However, due to the pandemic, the publication was pushed back, and I didn't want to wait any longer. I also seriously considered Chuck Tingle’s Not Pounded in the Butt.

6. Novel Featuring a Ghost:
Ghost Stories of an Antiquary by M. R. James (collection, mix of reprint and original)

• Reason: I just searched ghost anthology, and this was a top result. I have actually never heard of M. R. James before this year, but I gather he’s a huge influence since he’s written so many ghost stories.
• Favorite Story: “The Mezzotint” as it was the one that creeped me out the most.
• Recommended: Yes, but only if you realize that it’s got an older style to them (since this book came out in 1904), and that most of these stories won’t creep you out in the year 2020.
• Hard Mode: No, the ghosts are either antagonists or obstacles.
• Other Options: I actually don’t know, I stopped searching after I found the book. M. R. James does have 3 more collections of ghost stories, though (all of 4 of which have been gathered in Collected Ghost Stories by M. R. James).

7. Novel Featuring Exploration:
No Limits edited by Peter David (original anthology)

• Reason: I read the first few Star Trek: New Frontier novels back in the late 1990s, but never finished it, so I got all the books for a personal readthrough. Star Trek is by definition perfect for the exploration square, so I read the books. However, I was reading them in publication order, so I had to read the first 14 books before I could get to the anthology!
• Favorite Story: “Waiting for G’Doh, or, How I Learned to Stop Moving” is a rather funny story about the security officer Zak Kebron at the beginning of his career.
• Recommended: Yes, but only if you’ve read at least the first six Star Trek: New Frontier novels (all the stories are set before the first book, but most of the characters aren’t really established until you’ve read the first four).
• Hard Mode: Maybe, nearly all the stories feature exploration, but the plots are often about backstories for the main characters of the series.
• Other Options: I considered James Alan Gardner’s Gravity Wells (his novel Expendable is a perfect exploration book, so I was hoping the collection would work). Past anthologies that would probably work is Federations edited by John Joseph Adams, Galactic Empires edited by Neil Clarke, and maybe Alastair Reynolds’s Deep Navigation or Galactic North.

8. Climate Fiction:
Everything Change: An Anthology of Climate Fiction edited by Manjana Milkoreit, Meredith Martinez, & Joey Eschrich (original anthology)

• Reason: A friend recommended to me as this theme was getting difficult for me to find, as all my other options included stories by authors I had to read for other squares. This book was produced from a short story contest run by the Imagination and Climate Futures Initiative at Arizona State University and judged in part by Kim Stanley Robinson.
• Favorite Story: “On Darwin Tides” by Shauna O’Meara, which follows a “sea gypsy” in Malaysia as she struggles in this new dystopian future.
• Recommended: Only if the topic appeals to you—because it was a contest, the stories are mostly from amateur writers and the quality mostly shows. It’s free online, though, and there’s a second book, Everything Change II, which I’ve been told is better.
• Hard Mode: No, most of them are apocalyptic or post-apocalypse.
• Other Options: My original choice was Drowned Worlds edited by Jonathan Strahan, but there’s also Loosed upon the World: The Saga Anthology of Climate Fiction edited by John Joseph Adams, and I imagine a lot of solarpunk-themed books could work for this, too.

9. Novel with a Color in the Title:
The King in Yellow by Robert W. Chambers (original collection)

• Reason: I already had it (it’s available on Project Gutenberg)
• Favorite Story: “In the Court of the Dragon” which felt like one of the creepier stories to me.
• Recommended: Honestly, no. Only half the stories are SF/F, the other half are all stories about bohemian artists in Paris. This book is known for the stories involving “The King in Yellow” play, but they didn’t really work for me.
• Hard Mode: Yes.
• Other Options: I considered using Judith Tarr’s Nine White Horses, the anthology Blackguards, Jack Vance’s Wild Thyme, Green Magic, Walter Jon Williams’s The Green Leopard Plague and Other Stories, Black Feathers edited by Ellen Datlow, or How Long ‘til Black Future Month? by N. K. Jemisin.

10. Any Fantasy Book Club Book of the Month OR Fantasy Readalong Book:
Sooner or Later Everything Falls into the Sea by Sarah Pinsker (reprint collection, 1 original to this book)

• Reason: The Goodreads Book of the Month club picked it for June this year. I did own or read all the other options that were available at the time.
• Favorite Story: tie between “And Then There Were (N-One)” and “In Joy, Knowing the Abyss Behind”
• Recommended: Yes! There’s only one story I would rate less than 4 stars in this book.
• Hard Mode: Yes, I actually led the discussion for the book in June.
• Other Options: We don’t read very many collections or anthologies for the Fantasy book clubs, so my only choices were Fritz Leiber’s Sword and Deviltry (Classics club, November 2017), Mahvesh Murad & Jared Shurin’s anthology The Djinn Falls in Love and Other Stories (RAB, May 2018), and we currently have Daniel M. Lavery’s The Merry Spinster for FIF (September 2020). There’s also the Dresden Files read-along which did two of Butcher’s collections, and the Uncanny Magazine Disabled People Destroy Science Fiction/Fantasy read-along (those would’ve been rereads for me, though).

11. Self-Published Novel:
In the Stars I'll Find You & Other Tales of Futures Fantastic by Bradley P. Beaulieu (mostly reprint collection)

• Reason: I already owned this, it was basically the oldest self-published collection I had.
• Favorite Story: tie between “Flashed Forward” and “No Viviremos Como Presos” – both dealing with a lot of emotions.
• Recommended: Yes, the only other stories by Beaulieu I’ve read were 2 co-written novellas, and I felt this collection was better. I haven’t read his novels so I can’t compare.
• Hard Mode: Yes, at the time of this post, it has 18 ratings on Goodreads.
• Other Options: There are hundreds of options, but I could’ve read Lawrence M. Schoen’s recent collection The Rule of Three and Other Stories (his other collection, Buffalito Bundle, has stories featuring The Amazing Conroy and are lots of fun.)

12. Novel with Chapter Epigraphs:
Not the End of the World by Kate Atkinson (short story cycle)

• Reason: This was another difficult square, as I knew a short story cycle had the best chance of having epigraphs before every story. I finally found this book by Kate Atkinson. (Ironically, I realized later that my Politics choice also had epigraphs.)
• Favorite Story: “The Cat Lover,” I guess.
• Recommended: No, unless you like literary magical realism where stories just kind of end.
• Hard Mode: No, all of the epigraphs are quotes from Latin or Shakespeare.
• Other Options: Apparently, Retief! by Keith Laumer would’ve worked from my options. It really is a difficult thing because in a collection some authors might have an epigraph for a story, but not all or most of them.

13. Novel Published in 2020:
Shadows & Tall Trees 8 edited by Michael Kelly (original anthology)

• Reason: I picked this off Locus Magazine’s forthcoming books list and bought it.
• Favorite Story: tie between “The Glassy, Burning Floor of Hell” by Brian Evenson and “Child of Shower and Gleam” by Rebecca Campbell – the first is creepy as hell, and the second is strange and lovely.
• Recommended: Yes, if you’re comfortable with weird or darker fantasy stories.
• Hard Mode: No, Michael Kelly has edited several anthologies before.
• Other Options: I had planned to use The Hidden Girl and Other Stories by Ken Liu, but I needed Liu for another square. I also considered A Phoenix First Must Burn edited by Patrice Caldwell, and I had three anthologies from Joshua Palmatier I could’ve used (Apocalyptic, Galactic Stew, and My Battery is Low and It is Getting Dark) but I needed another Palmatier anthology for another square. Any of the various “Best Science Fiction or Fantasy of the Year” type anthologies that came out in 2020 would’ve been appropriate as well (Jonathan Strahan, Neil Clarke, Rich Horton, Paula Guran, Ellen Datlow, Bogi Takács, and Jared Shurin all edit “Year’s Best” or “Best of Year”-style anthologies).

14. Novel Set in a School or University:
Sideways Stories from Wayside School; Wayside School is Falling Down; Wayside School Gets a Little Stranger; and Wayside School Beneath the Cloud of Doom by Louis Sachar (short story cycles)

• Reason: Strangely, one of the first books I thought of for this square. Plus, the most recent book had come out. I decided to read all four as each book is really short (only about 20,000 words per book). Only the first one or two was a reread.
• Favorite Story: None, they’re all funny and good.
• Recommended: Yes, absolutely. Maybe better for kids, but I smiled a lot while reading these.
• Hard Mode: Yes.
• Other Options: Witch High edited by Denise Little would’ve been good, but included a story by Esther M. Friesner whom I needed for another square. A Kickstarter-funded anthology, Schoolbooks & Sorcery edited by Michael M. Jones, would’ve worked, but it’s not out yet.

15. Book About Books:
Ex Libris: Stories of Librarians, Libraries, and Lore edited by Paula Guran (reprint anthology)

• Reason: This was another difficult square because did you know that searching “book anthology” does not narrow things down at all?? I finally hit upon just searching “library anthology” which did the trick, but this one anthology predetermined at least 3 other squares because of its authors (I couldn’t use Ken Liu, Xia Jia, Amal El-Mohtar, and others because they were all in here).
• Favorite Story: tie between “In the House of the Seven Librarians” by Ellen Klages and “Summer Reading” by Ken Liu. Klages’s story about “feral librarians raising a child” is just wonderful, and Liu’s is very, very sweet.
• Recommended: Yes, absolutely. This also contains Scott Lynch’s excellent “In the Stacks” and I will never not say no to Kage Baker.
• Hard Mode: No, libraries are an integral part of most of the stories.
• Other Options: *gestures wildly* I don’t know!

16. A Book That Made You Laugh:
Explaining Cthulhu to Grandma and Other Stories by Alex Shvartsman (mostly reprint collection)

• Reason: Alex Shvartsman edits an annual humorous SF/F anthology series called Unidentified Funny Objects (the 8th volume is out this fall), but even though I have them all, they all shared authors with other squares until I remember that I had two collections from Shvartsman, and this was one of them.
• Favorite Story: “Things We Leave Behind” is a semiautobiographical story about books. Absolutely lovely.
• Recommended: Yes, but I understand most won’t share his sense of humor. He also tends to write very short stories, so don’t read these for immersion.
• Hard Mode: Yes.
• Other Options: Books making you laugh is so subjective, so any author you like probably has something that could work (you only need one story to make you laugh after all). John Scalzi has a couple collections that could work, Connie Willis has a great sense of humor.

17. Five Short Stories:

• Reason: To be obnoxious I decided to read five collections for this square (instead of just five short stories). I decided to read 5 that I already owned by women/non-binary people. I picked semi-randomly (Hand and McHugh), by older ones I owned (Wurts), and by a couple new ones I was excited about (Datt Sharma and Slatter).

Not for Use in Navigation: Thirteen Stories by Iona Datt Sharma (reprint collection)

• Favorite Story: “Quarter Days” is a full third of this book, and it’s an interesting post-WWI setting with magic.
• Recommended: Yes, they have an interesting outlook, and one of the stories has an Indian wedding in space.

Saffron and Brimstone: Strange Stories by Elizabeth Hand (reprint collection, 1 original)

• Favorite Story: “The Least Trumps” should appeal to the booklover in every single one of us.
• Recommended: These are definitely interesting stories, but I’d only recommend for “The Least Trumps” and “Cleopatra Brimstone.” She’s got a poetic style here that didn't always work for me.

After the Apocalypse by Maureen F. McHugh (reprint collection, 2 original)

• Favorite Story: “Special Economics” which follows a Chinese girl trapped into working at a factory.
• Recommended: Yes, though it’s also one of the few themed collections (versus themed anthologies) that I’ve seen, with every story dealing with apocalypse in some way.

Sourdough and Other Stories by Angela Slatter (mostly original collection/short story cycle)

• Favorite Story: “Gallowberries” which features Patience from the Tor.com novella Of Sorrow and Such as a young woman.
• Recommended: Yes, absolutely. Every story is in the same setting, and they all interconnect with each other. I can’t wait to read more from Slatter (I already have The Bitterwood Bible and Other Recountings).

That Ways Lies Camelot by Janny Wurts (mostly reprint collection)

• Favorite Story: tie between “Wayfinder” and “That Way Lies Camelot” – both are great stories, the first a coming of age, and the other is bittersweet.
• Recommended: Yes, definitely. In addition to the above, “Dreambridge” is also awesome. I wasn’t as fond of the three ElfQuest stories, but it was interesting to read Wurts’s 4 Fleet stories as I never realized she ever wrote anything close to straight science fiction.

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• Hard Mode: … Yes?
• Other Options: This is the most open-ended square for this particular Bingo Card, especially since at the time of this post, I own 121 unread anthologies and collections.

18. Big Dumb Object:
Alien Artifacts edited by Joshua Palmatier & Patricia Bray (original anthology)

• Reason: This was one of the books that made me realize I could do an all-short-story card. I thought the anthology’s theme would perfectly encapsulate the square.
• Favorite Story: “Me and Alice” by Angela Penrose – a kid finds a strange artifact while digging at a site.
• Recommended: Yes, though a few stories weren’t to my taste.
• Hard Mode: No, while the classical BDO is present in several stories, most would fall in the wider definition being used for Bingo.
• Other Options: I’m at a loss here, as I never looked for more after I found this.

19. Feminist Novel:
Skin Folk by Nalo Hopkinson (collection, mix of reprint and original)

• Reason: I owned this already from a Humble Bundle.
• Favorite Story: “And the Lillies-Them A-Blow” – a woman is inspired to reconsider her life.
• Recommended: Yes.
• Hard Mode: Yes, Hopkinson is a Jamaican-born Canadian.
• Other Options: I had a few other books from the same Humble Bundle called Women of SFF. Most of them would’ve worked.

20. Novel by a Canadian Author:
The Very Best of Charles de Lint by Charles de Lint (reprint collection)

• Reason: It appears I picked this up in 2014 for some reason (I’ve never read de Lint before this year). But he’s Canadian!
• Favorite Story: There are honestly too many to say, but I’ll say “In the Pines” for now.
• Recommended: Yes, yes, yes. I basically added everything he’s written to my TBR.
• Hard Mode: Maybe, it was originally published in 2010 with Tachyon Publications, but in 2014 it was reprinted by de Lint’s Triskell Press (which is the copy I have), which would count.
• Other Options: A friend sent me an anthology edited by Dominik Parisien called Clockwork Canada: Steampunk Fiction, though I would’ve had to juggle square to get it to work. Nalo Hopkinson is Canadian, so Skin Folk would’ve worked, too. Jo Walton has a collection called Starlings.

21. Novel with a Number in the Title:
Nine White Horses: Nine Tales of Horses and Magic by Judith Tarr (reprint collection)

• Reason: At the time, the only collection I had with a number that I could use.
• Favorite Story: “Classical Horses” – an absolutely lovely story that mixes real life and fantasy, and appeals to my Classics nerd background.
• Recommended: Yes! Tarr is a wonderful writer.
• Hard Mode: Yes.
• Other Options: I could’ve used The Golem of Deneb Seven and Other Stories by Alex Shvartsman, Nine Hundred Grandmothers by R. A. Lafferty, and The Rule of Three and Other Stories by Lawrence M. Schoen.

22. Romantic Fantasy/Paranormal Romance:
Once Upon a Kiss: 17 Romantic Faerie Tales published by Anthea Sharp (original anthology)

• Reason: My original first choice was a bust when I realized quickly that the stories involved love, but were not romance stories. This was an emergency backup as I was nearing the end of reading for this Bingo Challenge.
• Favorite Story: “The Bakers Grimm” by Hailey Edwards, which is a sweet little story about baking under pressure.
• Recommended: No. 99% of the stories are direct appeals to try to get you to buy their books. Many of the stories don’t even really feel like short stories. I had a friend who only read urban fantasy who was adamant that she hated reading short stories and I couldn’t figure out why. Now I do. Many of these read more like vignettes than proper short stories.
• Hard Mode: No, the HEA Club hasn’t done any anthologies or collections for me to participate in.
• Other Options: My backup would’ve been to find some paranormal romance series and look for a collection or anthology in that world, but it would’ve involved more prep reading.

23. Novel with a Magical Pet:
No True Way: All-New Tales of Valdemar edited by Mercedes Lackey (original anthology)

• Reason: Valdemar is an easy setting to choose for this square, and even though I had stopped reading the yearly anthologies (they’re up to 13 or 14 now), I decided to grab the 8th anthology from the library.
• Favorite Story: “A Dream Reborn” by Dylan Birtolo, a beggar girl with a gift grows a conscience.
• Recommended: Only if you’re a Valdemar fan and you literally can’t get enough of the world (I’d recommend sticking with the novels up until the Collegium Chronicles).
• Hard Mode: Yes, Companions can usually speak telepathically with their Heralds and a select few others.
• Other Options: I’m sure there’s a themed anthology perfect for this, but I honestly don’t know offhand if there is one, since this was an easy choice for me.

24. Graphic Novel (at least 1 volume) OR Audiobook/Audiodrama:
Eerie Archives, Volume 1 edited by Archie Goodwin (original comic book anthology)

• Reason: I searched “comics anthology” into my library’s digital catalog. This showed up.
• Favorite Story: No real favorite, but I guess “Flame Fiend” by Eando Binder, about a man desperate to avoid fire.
• Recommended: Yes, if you’re interested in 1960s horror comics anthology magazines. Each story is about 6-10 pages long, but many felt like cheesy horror to my modern eyes.
• Hard Mode: Maybe, each story is standalone, but this book contained the first 5 issues of Eerie comics. I’m going with No because Eerie is a running series.
• Other Options: I considered The Escapist (inspired from Michael Chabon’s The Amazing Adventures of Kavalier and Clay), a Mouse Guard comics anthology, and Thrilling Adventure Hour before finding Eerie. I also though the Eisner Awards were a good source of finding potential comics anthologies, since that's a category.

25. Novel Featuring Politics:
Retief! by Keith Laumer (reprint collection)

• Reason: I knew the main character was a problem-solving diplomat, so this was an easy pick.
• Favorite Story: “Diplomat-at-Arms” which is a great story of following an experienced old man on a mission, and “Cultural Exchange,” a really funny bureaucratic tale (and this one is free on Project Gutenberg).
• Recommended: Yes, with reservations. They’re all stories from the 1960s, they’re bureaucratic galactic pulp fiction where Retief always knows better than his bumbling superiors and women only show up in secretarial or minor support roles. The stories also feel a bit repetitive as a whole, so if you read these, space it out.
• Hard Mode: No, several of the stories feature royalty.
• Other Options: I felt like this was a nebulous category, but offhand, I’d suggest Do Not Go Quietly: An Anthology of Victory in Defiance edited by Jason Sizemore & Lesley Conner and Resist: Tales from a Future Worth Fighting Against edited by Gary Whitta, Christie Yant, and Hugh Howey for two explicitly political anthologies, and maybe something like Harry Turtledove’s interlinked collection Agent of Byzantium for an alternate history take on a Byzantine special agent.

Favorites

• Favorite collections: The Very Best of Charles de Lint by Charles de Lint, Ingathering: The Complete People Stories by Zenna Henderson, Sooner or Later Everything Falls into the Sea by Sarah Pinsker, Sourdough and Other Stories by Angela Slatter, and Nine White Horses by Judith Tarr
• Favorite anthologies: Ex Libris edited by Paula Guran and The Book of the Dead edited by Jared Shurin
• Favorite overall short stories: In addition to my favorite stories in the books above, I’d also give a special place to The Very Best of Charles de Lint (“In the Pines,” “In the House of My Enemy,” “A Wish Named Arnold,” “Mr. Truepenny's Book Emporium and Gallery,” “Pixel Pixies,” “The Badger in the Bag,” “Timeskip,” “Into the Green,” “Birds,” and “Pal o' Mine”) and to Sooner or Later Everything Falls into the Sea (“And Then There Were (N-One),” “In Joy, Knowing the Abyss Behind,” “Our Lady of the Open Road,” “Wind Will Rove,” and “A Stretch of Highway Two Lanes Wide”).
• An Aside: My father died suddenly in the middle of my reading for this challenge. The books I read from Zenna Henderson and Charles de Lint really helped me during this time, with de Lint’s book making me cry multiple times (in a good way).

The End
Sometime last year after touting one short story or another to my friends, I said, “Oh, I don’t think I read *that* much short fiction,” and they all looked at me funny for some reason.
Oh. Never mind. I get it now.
All joking aside, I’ve read SF/F magazines off and on growing up, and I always enjoyed the occasional Year’s Best Science Fiction anthology from Gardner Dozois, and Robert Silverberg’s Legends anthologies were rather formative to my growth as a fantasy reader (that’s where I read George R.R. Martin and Robin Hobb for the first time). Some of my favorite writers have done amazing short stories (in fact, I think I like Alastair Reynolds better at the short length than the novel; witness my love for his story “Zima Blue”!). Even if you don’t read more than the usual five short stories for the Bingo Challenge, please consider branching out! I hope I’ve shown with my own card how much variety is out there.
If you’re not sure where to start, your favorite author may have some short stories of their own, either in an anthology or one of their own collections. Mary Robinette Kowal is one of my favorites, and I loved her collection Word Puppets. If they’re prolific enough, they may have a “Best of” book, like The Best of Connie Willis or The Very Best of Kate Elliott. Trying one of the Year’s Best anthologies I mention under #13, Published in 2020, is also a fun way to explore short fiction.
And even though I didn’t read any for my Bingo Challenge, there are tons of SF/F magazines out there to read from on a daily, weekly, monthly, bimonthly, or quarterly schedule. My personal recommendation is for Asimov’s SF, FIYAH, and Fantasy & Science Fiction for subscription-only options, and places like Clarkesworld, Uncanny, Fireside, and Tor.com for free online stories. There are also some great magazines/sites like Beneath Ceaseless Skies and Daily Science Fiction.
Looking at award lists is a fun way to get started, as most of the major awards also have short fiction categories. Find out where they were published and try out a magazine issue or an anthology.
I’ll end this with the following:

• an interview by our own tctippens with Jonathan Strahan over at the Fantasy Inn Podcast where they discuss not only his new anthology The Book of Dragons, but reading short fiction in general.
• Editor Jared Shurin ( pornokitsch ) just came out with The Best of British Fantasy 2019 this past June: check it out!
• One of my favorite short story writers is John Wiswell, and I’d like to link two of his wonderful stories: "Tank!" follows a sentient tank attending its first SF convention, and "Open House on Haunted Hill" is a very sweet story about a haunted house trying to get sold to a new family. Both stories are quite short and you can read each in just a few minutes.
• And finally… this is what the internet should be: Naomi Kritzer's "Cat Pictures Please"

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When you create a video, you don’t just dust your hands off and put the camera away. ‘Ahh, another video finished.’ Don’t even think about it! A video is made to be seen, so create as many ways to see it as possible! In this post, we’re going to run through 10 ways to distribute your video content.
Imagine you’re making lemonade, and your video is the lemon. To achieve maximum flavour, you want to squeeze as much juice out of the lemon as you can. (And the more lemonade you make, the higher the reward you’ll get back.)
This post won’t just tell you the PLACES you can distribute. It will also advise on how you can cut, edit and repurpose your video. Doing this maximises your opportunities for sharing and driving viewers to your video.
There are different levels to how much of your video you can distribute. Obviously, there’s the whole video – you’d probably put this on video sharing websites like YouTube. Then, there are specific clips cut from your video to focus on particular moments. You’re best putting these on social media platforms, because their users expect short-form content. Beyond these options, there are various places you can display your video for different effects.
So, you’ve got your video – now what are the ways you can repurpose it? Here are 10 ways to distribute your video content.

1. Share the full video on video-first platforms.

Firstly, build a solid foundation for your distribution by sharing the full video online. Out of all the ways to distribute your video content, this is the most crucial. On video sharing platforms, people expect the full versions of videos. After all, what’s the point of making it if the complete project isn’t available somewhere?
In addition, you should take advantage of this by linking to the full video on social media posts. This will satisfy users’ curiosity after seeing a short snippet on their feed.
As we’ve mentioned, you’re probably thinking of YouTube first and foremost. YouTube is the second-biggest search engine after Google, so definitely utilise it. Have an enticing title, thumbnail and video description, and you’re good to go.
However, you should also branch out and share on sites like Vimeo and Dailymotion. The more places viewers can find your video, the higher your exposure and brand awareness will be.

2. Create micro-edits for social media.

As we’ve pointed out above, you can share small ‘teasers’ of your video on social media. This not only suits the expectation of quick content but also drives people to your full video. Win-win.
As for the length of these clips, we recommend they range from 30 seconds to 3 minutes max. The longer clips can be more in-depth discussions of topics, whereas the shorter ones may be more fun and to-the-point. It’s good to have variety in your clips, so it doesn’t give a false impression of the full video.
Remember to include lower-thirds to tell viewers who is speaking, provide a website address, etcetera. As for intros and outros, make them enticing and appropriate for the video itself.
Overall, social media edits are further opportunities to show your audience your production value and skills. Not only that, but you can use them to extend the ‘shelf life’ of your video. They stand out among the ways to distribute your video content, because you can really make them unique.
Find out more on why video is important on social media here.

3. Display on your website.

Your website is your base. It’s where you’re always trying to draw people to from external sources. Aside from YouTube, it should be up there as one of the most important ways to distribute your video content.
Now, there are a few ways you can use your video on your website. You can use it as a break in between text to demonstrate something more effectively. You can use it in place of, or in addition to, your product photos.
Furthermore, you can use it as your website header, immediately catching visitors’ attention. This one is probably our favourite – just check out our homepage for an example. A video header adds life to a website, making everything suddenly seem more worth looking at!
Learn more about why your website needs video here.

4. Use it in a webinar.

This might be one of the less obvious ways to distribute your video content. Webinars often have ‘breaks’ in between official sections in which the hosts slot videos. This not only maintains the engagement and entertainment of the webinar, but also promotes their work.
For example, if your webinar is about your field in general, you could slot in your own showreel. This brings it back to your company and builds brand awareness within your industry.
Alternatively, if your webinar is about a particular product, you could use your product video. The live parts of the webinar will be demonstrating the product in real-time. Meanwhile, the product video shows a more polished and memorable look at it. The live and recorded techniques combined offer a professional yet authentic experience.
For an example of this in action, check out the webinar we hosted live from our office – Everything You Need To Know About Video For Your Business – here.

5. Take your video’s data and statistics and turn them into infographics.

Statistical information in videos is great because it uses movement and sound to illuminate important data. However, this can also be made into a static image to be looked at in isolation. Although it’s not in video form, it shouldn’t be discounted as a way to distribute.
A popular place for infographics is blog posts, but you should also share them on social media. This encourages interaction and engagement, especially with thought-provoking content. Statistics and facts are also very shareable, especially on Linkedin.

6. Repurpose the audio for a podcast.

On paper, ‘starting a podcast’ might seem like you need to make loads of effort. Lots of planning, investment, setting up and recording comes to mind. However, to set off your podcast you could just take the audio from your video and turn it into an episode. Bingo! You have another way to distribute your video content.
Audio is becoming nearly as popular as video, so kill two birds with one stone and create a podcast. People might be too busy to sit down and watch your original video. However, they can do the dishes and walk the dog while listening to it in audio form!
It goes without saying, but make sure your audio is actually substantial enough to be a podcast. This will probably work best for videos like live streams, talking heads and interviews. Basically, videos where people and talking are the focus.

7. Send your video in email campaigns.

Emails can end up looking indistinguishable from one another when you get enough of them. It’s a common practice nowadays to not open 95% of the emails in your inbox because most of them are from sites you keep putting off unsubscribing from.
However, if you use a video in an email, the click-through rate (CTR) shoots up by up to 300%!
It’s something you don’t usually see, and the interactivity stands out amongst the static.

8. Screenshot images and create GIFs.

Don’t forget, still images make great social media content, too. From a video, you have bountiful opportunities to grab cool images to use on your feed. In addition, you can use these images on your website, your profiles… wherever you see fit.
Likewise, if you’re still hankering for that video element, make GIFs. This snatches even shorter snippets of your video and puts them on a loop. GIFs are ideal for fun, ‘reaction’ type posts or showing a particular moment. They don’t need intros or outros, just the main content itself captured in a smaller frame! Go for the cool or funny moments that might not be long enough for a clip.
What’s more, the looping of a GIF encourages people to watch it again and again, and even go to the full video! A small, but mighty, way to distribute your video content.

9. Present at conferences and trade shows.

You’ve heard of cutting your video into smaller GIFs. Wait until you hear about blowing it up on the big screen for a presentation!
Your video will look amazing surrounded by your products and people gazing up at it. Big events like this are hard to come by in the wake of the coronavirus pandemic. However, once they’re back up and running, video will be more common than ever.
If there’s a chance you might use your video at an event like this in the future, think about this during production. What will look good on the big screen? Will people want to read a lot of text? Will you want audio if the room will be buzzing with lots of other sounds?
Using video at an event can really help attendees remember you. Standing out from the crowd is more important than ever, and a unique and exciting video is the way to do it.

10. Transcribe and translate.

Just as we said in #8, turning text into video isn’t the only way you can make the most of your content. You can flip it upside down and turn your video into text!
However, the difference here is that you should still have the video accompanying the text. In this situation, transcribing your video just means that your viewers can quickly navigate to a certain part. Also, it helps viewers who might need assistance with understanding what is being said.
Furthermore, transcribing your video helps to boost your SEO – Search Engine Optimisation. Google will pick up the keywords in your transcription and boost your webpage for those keywords. In addition, pages which include videos are more likely to rank highly in search results. This is because Google sees video as in demand, a quality source of content, and a quick solution to queries.
To expand your audience further, translating your video is also a very wise idea. This will appeal to international audiences, increasing your chances of sales. If you’ve got an international audience in a particular country, prioritise translating into their language.
As you have learned, there’s a lot of different ways to distribute your video content. Plus, in the future, we predict there’ll be even more. It’s so important to diversify the way you share your video, because you’ll maximise your appeal to audiences.
If you need help with the production of your video itself, you’ve come to the right place. Stada Media can create a video for your business that boosts your traffic and sales to new heights. Let’s talk!
Read more video production tips on the Stada Media blog here.